Finding Inspiration at the Art Gallery of NSW

I spent part of New Years Day at the Art Gallery of NSW having a wander through the exhibits.

The text accompanying Tony Albert’s Hey Ya! (Shake it Like a Polaroid Picture) read, in part

Ritsi (the young man in the photographs) and Albert share an experience of re-connection to country and community by following the movements of their ancestors.

One image from Tony Albert's 'Hey Ya! (Shake it like a Polaroid picture)' at the Art Gallery of NSW
One image from Tony Albert’s ‘Hey Ya! (Shake it like a Polaroid picture)’ at the Art Gallery of NSW

 

Part of what I’ll be doing on my Big Ride is, in a way, just this: I’ll be re-connecting with the places my antecedents lived for thousands of years by following their movements across Europe. I will visit reminders and remainders of their culture and, hopefully, connect with my fellow descendants who still, or are again, living there.

The European Jews were, of course, displaced by the awful tides of hate history bore down on them. My families have done well in the diaspora, I’m not complaining. They were fortunate to have been driven out by the pogroms before Hitler’s Final Solution was enacted. But still, they were displaced. They were disconnected from their places and their communities. They had to learn from scratch how to make their way in the world.

As a still new, and happy, immigrant to Australia I suspect I see Australia’s Aboriginal history and people somewhat differently than I would if I had been born and raised here. The relationship between new and old Australians is complicated — as are these relationships anywhere in the world where there are New and Old.

Tony Albert’s work had me thinking about two things. How can I, living my modern peripatetic non-religious assimilated life connect with my not-to-distant Eastern European Yiddish-speaking shtetl-living observant Jewish ancestors? And how can my efforts to do so connect me with these, my fellow Australians, the descendants of the first Australians.

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Tom Carment's 'Flame Tree'
Tom Carment’s ‘Flame Tree’

I was also taken by the exhibition of Tom Carment’s small watercolour sketches of parks and street scenes. These reminded me to put a sketch book and watercolour kit on my shopping list for the trip. I have basically no experience drawing or doing watercolours – not since I was a kid anyway – but am keen to give it a go. It seems like the time one would take to really look at a scene to try to represent it in pen and ink would be good — just taking that time to really look, will be a good exercise.

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